“This part of my life is called, peace. And if you’re not contributing to it in some way, you’re not meant to be a part of this chapter. Because this is the part where my boundaries are firm, my heart is open, and my soul is free.”
I have been feeling very satisfied creatively. I work a little bit every evening on The Barrier Scroll, and sometimes more on the weekends. The artwork isn’t stunning, but I can feel myself getting better with each new effort. Everyday that goes by I get a little snippet of inspiration that I can use for the narrative, and I love that. I’m proud of myself, the setbacks I’ve overcome, and the passion that I have for these creative projects. Hope your creative endeavors are going good too. With each setback, every step forward will feel that much more worth it. Don’t give up.
Thank you to those I’ve been sharing this with on the side. Your feedback, opinions, remarks, and openness to receive is very valuable to me, and I’m grateful to have you on this journey.
Episode 1, part 1 (of 2) now available to read if you subscribe to my Patreon at the Early Access Tier, if not–no worries–it’ll be available for free in May 2023! I was so excited I simply couldn’t wait to share it, even if it’s only part 1 for now. But I’m making good progress.
I’m still trying to figure out my workflow and groove, but I am truly enjoying bringing this story to life. I hope that comes through. Thanks to those of you who have shown me kindness and support, I’m extremely grateful.
Episode 1 is coming along. I’m about 50% done with the whole thing, but I’ve been giving it a lot of thought and I think it might make sense to release episode 1 and 2 at the same time. They really blend into each other story-wise and set the basis for the narrative. Everytime I’m close to my goal I move the goal post! We’ll see, since episode 1 is fairly long that I think it’s satisfying enough. Anyway, enjoy.
As with many things creative, there’s a lot of ways to storyboard your idea. I am by no means prescribing how storyboarding should be done, only that I use storyboarding as a tool to develop my narrative at the visual level.
One thing that’s helpful to understand is that the act of script writing and storyboarding is pretty fluid and they lend themselves to one another. In fact, I believe that a healthy back and forth between the two is very necessary in order to convey the right tone, idea, and visuals. For example, I wrote my script with a visual in mind and added cues in my writing where I felt necessary, but once it goes into a quick sketch, there are things you can absolutely convey without text, and vise versa there’s some antecedents that require more context from the writing side of things as well. Storyboarding absolutely helps with sussing out the type of narrative you desire, so it’s important to be flexible and let the process flow.
Use a script to guide your visual narrative I write out my scripts like scenes where I have both dialog and non-dialog displayed, and I experimented with various layouts before I ended up with the below script template example. This is what works for me:
SCENE 1, EXAMPLE
[I use this as a way to convey action, scene, setting, or anything else that might be non-dialog. There’s unlimited ways to write and layout a script so try different things to see what works.]
Character A: “Hopefully this helps with ideas for how to layout a script.”
[I use this as a way to indicate some sort of action or non-dialog.]
Character B: “Do what’s comfortable and works for you.”
Character A: (smiles) “Couldn’t have said it better myself!”
Don’t worry too much about the fidelity Your storyboards don’t have to be perfect, in fact it’s better if they’re not so you can make adjustments without a lot of revision work. Think of your storyboard like a rough outline of your graphic novel. Each moment conveyed should take small strides in telling your story. Your storyboard overall is meant to save you time, so once you get to the illustration, coloring, and lettering portion of the process, you’re a little bit more foolproof when it comes to revisions, which can take a lot of time and that’s what we’re trying to save by adding this to our process. In the image below I’m using the webtoon scroll format because I think it lends itself beautifully to the handheld device medium.
You want to convey just enough information in your sketches so that if a stranger were to pick up your storyboard and read it, they’d know exactly what’s going on with no context whatsoever. Your storyboard is also going to fill gaps for you and let you know if you’ve left out any important details in your narrative.
It’s ok to take shortcuts Making a comic is a huge time investment, so creators are always looking for ways to optimize the process. I use acon3d for things like settings and backgrounds and view the models in Sketchup. Though it’s best to take this into account when you’re storyboarding so you can grab the models and angles that best fit your workflow.
Ask for feedback and revise as necessary A storyboard will allow you to look at things holistically, which is a beautiful aspect of adding this to your process. Also, don’t be afraid to share with friends and ask for feedback in areas you feel might need more attention. I love getting detailed and actionable feedback:
I do not have much in the vein of new art for you, so here’s a sketch I doodled this month of one of my OCs, Ryn. Why’s he so grumpy anyway?
I’ve been diligently writing episodes and outlines, but hopefully I’ll have some new artwork to share with you soon. 2023 is off to a great start. I successfully launched Tiny Chicken Island, (the sticker shop inspired by all the drawing I’ve been doing for the comic) and it’s kept me pretty occupied. But I promise you I have not neglected TBS that much, I’m making good strides. Comic production for Season 1 is slated for April 2023. More news to come soon!
Thank you for the support, I hope you’re having a good start to 2023. ♡